Michael V. Smith's memoir, My Body Is Yours, reviewed in the Vancouver Sun by the excellent journalist and thinker Tom Sandborn.
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You can click to buy the book in CANADA, or in THE USA. Better still, order it from your local booksellers. Or at one of the great events!
Smith is a writer, comedian, filmmaker,
performance artist and occasional clown teaching creative writing in the interdisciplinary program of the Faculty of Creative and Critical Studies at UBC's Okanagan campus in BC's Interior.
Smith’s novel, Cumberland (Cormorant Books, 2002), was nominated for the Amazon/Books in Canada First Novel Award. In past years, Smith won Vancouver's Community Hero of the Year Award and the inaugural Dayne Ogilvie Award for Emerging Gay Writers. He's won a Western Magazine Award for Fiction, scooped two short film prize categories at
Toronto's Inside Out festival, and was nominated for the Journey Prize.
His videos have played around the world, in cities such as Milan, Dublin, Turin, London, New York, Toronto, Paris, Geneva, Berlin, Glasgow, Lisbon, Beirut, Amsterdam, Copenhagen, Buenos Aires, SF, LA and Bombay.
Smith is an MFA grad from UBC’s Creative Writing program.
Vancouver Magazine has considered him one of its city's 25 most influential gay citizens whereas Loop Magazine named him one of Vancouver’s Most Dangerous People...
His first book of poetry is What You Can’t Have (Signature Editions, 2006), short-listed for the ReLit Prize. In 2008, he published a hybrid book of concrete poems/photographs, Body of Text (BookThug), created with David Ellingsen.
Michael V. Smith's most recent novel, Progress, was published Spring 2011 with Cormorant Books. For more info, click books!
Some Current Write-ups: A short interview about My Body Is Yours in the Coastal Spectator: Candid memoir unpacks gender, sexuality.
Interview by Trevor Corkum.
Profile on Daily Xtra!
Review by Drew Rowsome.
Review in the Vancouver Sun.
Some Past Write-ups:
Read a profile/review of Progress here: The Substance of Progress.
"I’m not lingering over a turn of phrase here, but the fact of the book, the flipping through it, the returning to it, the showing it around, and finally, the wrapping my head around it, enjoying the pleasure of it, the tease of it, the let’s-see-if-we-can-get-away-with-this of it, makes me think about the queerness of concrete poetry." – Matrix Magazine, reviewing Body of Text